Showing posts with label san diego. Show all posts
Showing posts with label san diego. Show all posts

Wednesday, April 28, 2010

Entering the Movement

"In your cultural prison, which inmates wield the power?"
"Ah," I said.  "The male inmates.  Especially the white male inmates."
"Yes, that's right.  But, you understand, that these white male inmates are indeed inmates and not warders.  For all their power and privilege - for all they lord it over everyone else in the prison - not one of them has a key that will unlock the gate."
"Of course it's true that males - and, as you say, especially white males - have called the shots inside the prison for thousands of years, perhaps even from the beginning.  Of course, it's true that this is unjust.  And, of course it's true that power and wealth within the prison should be equitably redistributed.  But, it should be noted that what is crucial to your survival as a human race is not the redistribution of power and wealth within the prison but rather the destruction of the prison itself."
--from Daniel Quinn's Ishamel


In order to better elucidate when I entered this movement, I must first begin with what the movement is.  With movement as metaphor as one of the guiding principles of my artistic practice, dictionary.com does a fine job of clarifying:

move·ment

[moov-muhnt]  –noun


1. the act, process, or result of moving.
2. a particular manner or style of moving.
3. Usually, movements. actions or activities, as of a person or a body of persons.
4. Military, Naval. a change of position or location of troops or ships.
5. abundance of events or incidents.
6. rapid progress of events.
7. the progress of events, as in a narrative or drama.
8. Fine Arts. the suggestion of motion in a work of art, either by represented gesture in figurative painting or sculpture or by the relationship of structural elements in a design or composition.
9. a progressive development of ideas toward a particular conclusion: the movement of his thought.
10. a series of actions or activities intended or tending toward a particular end: the movement toward universal suffrage.
11. the course, tendency, or trend of affairs in a particular field.
12. a diffusely organized or heterogeneous group of people or organizations tending toward or favoring a generalized common goal: the antislavery movement; the realistic movement in art.
13. the price change in the market of some commodity or security: an upward movement in the price of butter.
14. bowel movement. (One of my personal faves.)
15. the working parts or a distinct portion of the working parts of a mechanism, as of a watch.
16. Music.

a. a principal division or section of a sonata, symphony, or the like.
b. motion; rhythm; time; tempo.
17. Prosody. rhythmical structure or character. 

 

Monday, November 2, 2009

On Manifest Destiny

Manifest: to make clear or evident, to prove beyond doubt or question.
Destiny:  something that is to happen; lot of fortune; the power or agency that determines the course of events.

Since this now past summer, I have made a concerted effort to think deeply about the actions I take in my life and how I desire for them to feed me on a deep, spiritual level. In other words, I have been thinking about my own sustainability - how can I tend to the long-term garden that is my spirit? How can I water it with the blood my heart pumps and plant it with the fertile seeds that seemingly spring forth from my mind?

What I have been observing is that these seeds, when planted from an embodied conviction of clear intention, have been giving way, thus far, to the soft green stems of new life. In other words, when nurtured, my deeds and thoughts become made physically manifest in this material world. What is it that I have been manifesting, you ask?

As is everything in life, all I have been manifesting is relationships. First and foremost, I have been nurturing a deeper relationship with myself in which Tantra has played a beneficial role. In July, I became curious to explore the narrow confines of my own self-imposed "boundaries." Since then, I have been learning through small, incremental steps how I can not only hold myself accountable for my own actions and deeds (especially when no one is around to witness me) but how I can also ask for what I want. It is not necessarily that I always receive that which I desire (I most certainly do not), it is simply that I honor myself enough to ask for a response. (Thus, I most certainly honor the "No" responses, as well.)

In looking to foster this deeper connection, I have sought out local role models whom I can surround myself with. My circle of friends now includes not only members of a number of the local San Diego Tantra communities, but also Tantra gurus, polyamory advocates, and third wave feminists whose children refer to me as "auntie."

In honoring my connection with and to myself, I seek to honor my connection with and to this planet - the only home we homo sapiens have known for a hundred thousand years. Yet again, I have sought out groups, organizations, and people who can help me to better understand my Earth/body connection. I have also been actively working on integrating my growing body of knowledge into my movement practice by incorporating native mythology (of greeting the cardinal directions, for example), with some Kundalini Yoga and Qigong principles.

Last but not least, I have been seeking to manifest more intimate relationships with others. What this intimacy looks like, remains to be seen. Nonetheless, I continue to explore, push open, break through, and puncture my own misconceptions as well as the confining preconceived notions of others. Whether or not I am "successful" is irrelevant. As I am simply learning, it is all about the diligent effort and the simple task of trying.

True to form, I celebrated this now past weekend's hallowed eve by dancing in the Dia de Los Muertos sunrise at a popular warehouse venue. Untrue to my typical pattern, I found myself revolving around the same man for the majority of the evening. Recognizing that he was a soul brother whose energy and movement could rival mine on the dance floor, I allowed myself to be comforted and cared for even as I pushed myself through the discomfort of challenging some of my usual behaviors (which was quite a feat for Ms. Independent). I especially enjoyed how our comfort together created a snuggle party that numerous "strangers" felt called to join. His chosen name, by the way, is/was "Manifest."

As our planet continues to spin and as we northern hemisphere dwellers turn away from the light of the sun and towards the pitch black darkness of the shortest day of the year, I encourage you to contemplate and reflect on what seeds you want to plant in the nurturing garden of your soul this year. What flowers and plants to you hope to bloom and give birth to next summer? Now is the time - plant away my dear friends, plant away.

Friday, October 30, 2009

Kali Ma: In Honor of the Season



                         O Kali, my Mother full of Bliss! Enchantress of the almighty Shiva!
                          In Thy delirious joy Thou dancest, clapping Thy hands together!
                    
Thou art the Mover of all that move, and we are but Thy helpless toys.
                                                      ...Ramakrishna Paramhans

Kali came to me, not in a dream but as a physical manifestation called forth from the deep pits of my psyche.  Our first encounter was a mere few weeks ago.  I had been spending time with a client who had specifically asked for my help"Because I know you can take care of yourself," he had said.  He was a dark soul, burdened by the political correctness of nice-ities and the mundane.  He sought to illuminate dark shadows and light's natural counterbalance in every situation he entered into.  I knew enough to tread gently, but I tread nonetheless.  For I have no fear, especially when I am crystal clear within my own intention.


He and I came together, one last time, to paint our faces and explore, in movement, the characters and creatures that emerged from our sub-conscious.  I chose a black base paint simply because he had chosen white and I had recently read an article in CNN about "black face."  "What would life be like if I wandered through these city streets and navigated around its circuitous routes with a dark countenance?" I wondered.

During this first encounter, I was so transfixed by my new appearance that I wanted nothing more but to stare at the vivid whiteness found in my eyes.  I relished in gazing at my opened mouth and observing the stark contrast of my white teeth set against my pitch black face.  I quickly became intoxicated by this new vision.  I did not want to let it, let her, go.  Nonetheless, I had to.  With reluctance, I rubbed water and soap onto my face and I washed away the life blood and remnants of this other.

I was so inspired by this experience that I schemed to call it, to call her, forth once again.  I planned a "Moving with the Mask" workshop in which others were invited to take part in this timeless human ritual of face painting.  This past Tuesday, a group of twelve of us came together at the Performing Arts Workshop in Encinitas.  The mood in our intimate studio was light and there was a giddiness in the air.  We spent a brief time period applying brilliant colors in a myriad of ways to our own faces.  What emerged were clowns, dual super heroes, and butterflies.  Afterward, we were led through gentle warm-up exercises and then we were instructed to turn towards a mirror, as well as the mirror images of one another, and explore.  We were encouraged to discover not just the movement but the sound and vocabulary of this totem self.

As the evening progressed, and our workshop segued into our weekly barefoot boogie, non-face painted individuals wandered in.  Together, we shared the same play ground.  As I spun, twirled, and glided around, again with a black face and a light design of white paint layered on top, I expelled breathy growls, I bared my teeth, I rolled my eyes, and I stuck out my tongue.  As my initial intention had been to "explore my darkness in the dance."

Soon, a friend wandered in, danced with me, and exclaimed, "Kali!"  "Kali Ma!"  and I was re-born in that moment.  At the time, I knew very little of Kali, aside from the fact that she was an ancient Hindu goddess, celebrated as all-powerful and revered for her destructive bent.  Yet, her name stuck with me.  Who was this symbolic archetype that I was channeling?  And, what lessons could I apply from her teachings to my everyday life?  I took my hair our of a tight grip of constraint and unleashed my dancing prowess for the remainder of the evening.  The following day, I arose early to research.   

"Kali is a particularly appropriate image for conveying the idea of the world as the play of the gods. The spontaneous, effortless, dizzying creativity of the divine reflex is conveyed in her wild appearance. Insofar as Kali is identified with the phenomenal world, she presents a picture of that world that underlies its ephemeral and unpredictable nature. In her mad dancing, disheveled hair, and eerie howl there is made present the hint of a world reeling, careening out of control. The world is created and destroyed in Kali's wild dancing, and the truth of redemption lies in man's awareness that he is invited to take part in that dance, to yield to the frenzied beat of the Mother's dance of life and death."
"Kali is an ambivalent deity among the Hindu goddesses. Powerful as a destructive force against the ego self and inner demons, she also liberates souls to begin more spiritual life journeys and is recognized as a healing divine mother."

"Symbolically, Kali characterizes destruction or letting go of the past to make room for a more purposeful present and future. She stands for the concept of Mother Nature as not only a potent, destructive force but also a force that cleanses away the old to allow room for new, fertile ground."


Wednesday, October 14, 2009

What is Intimacy: A Survey

Is it a kiss on the lips?
Is it sex?
Is it my laying on top of Natalie - draped across her pelvis?

Is it a conversation?
Is it sharing tears?
Is it eye contact?

Is it a willingness to meet in the middle?
Is it an agreement?
Is intimacy what we do only with our lover?  Parents?  Family?  And close friends? 
Is intimacy possible in a larger community?

Is intimacy taking things personally? 
Is it what we do to each other - how we dive below one another’s surfaces?
Is intimacy discovered in both the exertion of our own personal boundaries as well as the pushing open wider of these same perceived limitations?
Is intimacy choosing to inquire, “What’s wrong, and how can I assist you?”

Is intimacy found in the sharing of the body/your body/my body?
Is intimacy a worthwhile pursuit when, sooner or later, someone always/usually gets hurt?
Is intimacy necessary?

Are you afraid of intimacy?  Am I?

Do you crave intimacy?  Do you need it in your life? 
If so, how much of it do you need?
Can you imagine being intimate with a perfect stranger?  If so, how?
Can you be intimate with someone that you are not sexually energized by?
Do you seek intimacy out?  How?

Is intimacy staying on topic?
Is intimacy discovered in only the day-today?  Can it be found in an improvised, fleeting moment?
Is intimacy touch?  Is it contact? 

Will it hurt me if I am intimate with lots of people?
Will it hurt me if I am not?

Is intimacy sharing what is on your mind, and in your heart?
Is intimacy standing up for what you believe in?

Is intimacy a location?  Is it a place that we can all somehow arrive to? 
If so, can we arrive there together or do we have to take our own paths and journeys along the way?

Is intimacy a smell?  Does it make me want to come, or does it repel me off and away to a further distance?

Is intimacy a visual aesthetic?  Do I subconsciously choose whom I can be intimate with based upon the age and pigment of another’s skin, a lilting tongue, the amount of flesh that hangs from the body, or this other’s physical abilities & makeup?
Can I be intimate with someone who does not believe what I do, who does not think as I do, and who does not want what I want? 

Can I afford not to be?

Is intimacy a currency?  Is it something that can be exchanged for power, resources, time, or energy?

Is intimacy a wink?  Is it a flash of a smile, or a wave to the hand?
Is intimacy real?  Or, can it be argued that we cannot know intimacy with anyone but ourselves?

Are you intimate with yourself?  Am I?  If so, how?

Is intimacy a feeling?  Is it sensed, intuited and embodied?
Can intimacy be sustained for a long period of time?  Does it wax and wane? 
Is it possible to experience intimacy in short bursts?

Is intimacy the breath?  Is it life?

Is intimacy being and feeling vulnerable?
If so, how and when do you experience vulnerability? 
And, when do you refuse to allow yourself to be vulnerable?

Are you vulnerable?  Am I?

Just what is intimacy?

Tuesday, October 13, 2009

Of Boundaries and Agreements

Last week, I found myself rendered inert by my own pain and sadness. 
I couldn't dance.  I lacked the motivation to write, to exercise, to make myself feel better.  All I craved was junk food, a good book and a comfortable bed.  My body, mind, and spirit desired, needed, sleep, healing, & rejuvenating slumber.

Yes, I had been triggered.  I had willingly allowed another to project pyschological abuse onto me.  It was heavy and it hurt.  I berated myself, "how could I have stayed in such a situation for so long?" and I wondered, "what is wrong with me that I keep going back for more?"  As the days passed, my energy, my life force, my chi became more and more blocked and stuck.  My intestinal processes refused to budge and I began to emit foul smelling, noxious gases from my rectum.  Still, I slept.

Because I have been staying back at my parent's home, in the house I grew up in on Ridge Road, all I had to do was look around me, here, to realize that my actions over the course of this past week merely emulated those of my most primary example - my parents.  I also recognized that for years now (hell, as it been almost a decade?), I have been unable to truly move forward with my life, to sincerely grab hold of my dreams and make them my reality, due to this self-imposed and physically manifested abusiveness.  (As is the nature of life, we attract to ourselves our mirror images - even as a standard cliche mistakenly purports that "opposites attract.")

Fortunately, I am finally at a place in my life where my community is expansive, supportive, and deep.  Although my vibrational frequency was extremely low last week, I kept my commitments to: meet with a friend and have a nature photography shoot; to work with this same friend in the studio, on his posture and alignment; to meet with another dear friend for a sunset beach walk, conversation, and dinner; and to attend a fundraiser for La Milpa Organica at the Belly Up Tavern (I forced myself to attend and I'm glad I did for the live music and my dancing feet lifted my spirits a bit).  In the process, I also shared with some other community members how I was feeling.  The advice I received in return was to try and find the sadness in the dance and to remember compassion - for myself.

Ultimately, what this experience drove home for me was that now is the time for me to work on and to truly own my boundaries and agreements.  What I mean by this is that I need to clearly define for myself what is okay, in terms of my own behavior as well as how others treat me, so that I can then effectively communicate, in the direct moment, when my boundaries have been crossed and when this is absolutely not okay.  "I did not like that touch."  Furthermore, I need to continue practicing defining and communicating my boundaries so that I have crystallized the protective measures of walking away, for good, when the need arises.  I need to harness the discipline of doing this early on in every relationship, in any kind of relationship, so that I am no longer confused by the imperfections of "love."

Yes, I have walked away, for good, this time around.  No calls, no visits, no friendship, no way.

Conversely, I am simultaneously working on my agreements.  In other words, I am developing the clarity in knowing what I want.  Then, I am applying this understanding in my day-to-day communication.  For example, I am learning to ask for what I desire, in every moment - water, a cleaner knife, a kiss, a raise, to be recognized, to be humbled.  The flip side of this discipline is that I may not always receive what I want.  Through my practice, I am learning to not just accept rejection but to be grateful for it.  I am beginning to appreciate and honor the "No's" because they too provide a learning lesson while possibly opening other doors.  (What about that other, old adage: "When one door closes, another opens?")

I have found two, great role models here in San Diego whose life's work begins with these two premises.  Kamala Devi and her partner, Michael McClure, have been married for seven years. Together, they are raising a young child.  They are also national advocates for polyamory, and they are well known figures within the Tantra community.  Yes, everybody, what I am writing is that Tantra is teaching me basic life skills that, for some reason, are not taught in our contemporary model of education.  (And, why is this?) 

As the dancefloor has illuminated, the metaphor of movement can be applied to all arenas of my multi-faceted life.  Thus, whether or not I choose to use these developing skills, of exerting my boundaries and inquiring of my agreements, in polyamory is irrelevant.  What matters is that I wield and utilize them to craft and create for myself the life story that I have always dreamed.  At almost 33 years of age, no one, not my parent's, my past boyfriends, and nothing, including my previous experiences, is responsible for the choices and decisions I make now, today.   Today, I take full responsibility for me and my behavior, for self-actualizing and becoming the woman I dream of and the human being that I already am!     

Friday, April 24, 2009

It's All About the "Little" Things..(Take II)

As a human, what truly feeds, sustains, and nourishes me is the amount of time that I spend engaging, interacting, and being with others (as well as other creatures/things).

I am extremely fortunate to engage with a community of dancers weekly, some of whom have been consistently meeting together for the past twenty years. In this milieu, and in this environment where a platform of non-verbal communication is agreed upon, I am provided the space to work through the crises and neuroses of my own everyday life. Sometimes, I even find dance partners who are willing to negotiate with me. My time spent here, twisting, twirling, and talking, ripples out in concentric circles into the other facets, compartments, and arenas, of my meager existence.

More and more, I have been enjoying stopping by Mario's coffee shop for my refill of daily java. Ever the keen entrepreneur, Mario's shop is staffed by a bevy of beautiful babes, a gaggle of gorgeous girls. This little fact does not always delight me. It isn't the girls, or the understanding that there is something about this dynamic that Mario really likes, in so much as it is about some of the customers. Usually men, more specifically, who ride on through with eyes sparkling of objectification. This drinking in of womanhood and distilling it down to simply sex and symmetry really gets my guard up. Why is this, - especially when I can so easily object myself? Hell, if I objected myself more often, then maybe I'd be more "successful" than I am today. It isn't it this, though.

What it is, is this: as woman, it is easy to believe that your power is situated in the amount of attention you accrue from members of the opposite sex (specifically, white men). It is so easy to forget the small things that feed you and to, instead, focus on the superficial, - on the hair cuts, on the cute shoes, and on the shopping at Target. On the glances that come your way, and on the men who want more, - a name, a number, a date, an opportunity for sex.

Sex is great, don't get me wrong. I'm not advocating for celibacy here. I'm just saying that my sex is only skin deep. And, when I forget this...

Case in point: One of Mario's employees, and friends, is super cute. At only twenty-five years of age, she has spent a short lifetime attracting the not-always- desired attention of males. With dark, olive skin and exotic features, her petite frame is fawned over. Men and boys, literally, froth at the mouth in their wanting of her, of her sex, of whatever fantasy her visual image conjures up in their small brains.

For the past few years, I have witnessed her sense of self wither amidst this unasked for, and even undeserved (after all, she really has nothing to do with the genes she was given at birth), absorption. She has spent too many days, weeks, and months, not eating, purging what little amount of food she did partake of, and then drinking excessively (given her weight and size). Desperately, she sought to retain control of this self-perceived "power." Naturally, she would always fall short of maintaining it. For, it was always just an illusion.

In her 'Reading Lolita in Tehran,' Azar Nafisi writes: “Dreams are perfect ideals, complete in themselves. How can you impose them on a constantly changing, imperfect, incomplete reality? You would become a Humbert, destroying the object of your dream; or a Gatsby, destroying yourself.” (page 144) Today, however, when I pulled my sputtering Volvo into the black paved parking lot of the coffee shop, I looked out of my windshield with glee as my eyes fell upon this same, young woman.

Today, she has filled in her hard edges with soft curves. Her angular body no longer has a strained, taut appearance. She looks comfortable, vibrant, and happy. She is in love, and she is actively working through the day-to-day of taking care, - of caring for both herself and another.

In Elizabeth Gilbert's "Eat, Pray, Love" (which I also highly recommend right along with Nafisi's book), Gilbert writes of her travels through Italy:

"I came to Italy pinched and thin. I did not know yet what I deserved. I still maybe don't fully know what I deserve. But I do know that I have collected myself of late - through the enjoyment of harmless pleasures - into somebody much more intact. The easiest, most fundamental human way to say it is that I have put on weight. I exist now more than I did four months ago. I will leave Italy noticeably bigger than when I arrived here. And I will leave with the hope that the expansion of one person - the magnification of one life - is indeed an act of worth in this world. Even if that life, just this one time, happens to be nobody's but my own." (page 115)

It's All About the "Little" Things..

I've been fighting a bug, - for weeks now. No, I have not been healthy. It could be that my over-indulgence of fresh whipped cream, a privilege I partake of every morning down at Mario's drive-thru coffee shop (below Clairemont Dr., on Morena Blvd.), has something to do with the phlegm stuck in my lungs. It could also be the fact that I've been quite stationary, of late.

For the past two months, I've had to dig down deep, and birth a damn baby (known as my portfolio), which has required that I remain in a cramped repose, behind a computer screen, for hours on end. Sitting, typing, processing, editing, & deleting. The 150-paged creature was born on April 21st, 2009, (the spring equinox, of course!) and right along with it came the realization, "Shit! I've only just begun!" .....

So, I've been sick. It also doesn't help that I have been stressed out about money ("i ain't got no money, baby!") and the impending bills that my graduation from graduate school this summer will bring along with it. (Insert big breath here.) Ummm, yeah.

Nonetheless, life persists and the show must go on. Last night, it was an opening reception for a visual art exhibition, entitled "Facing East," at the Art Expressions Gallery just down the hill from where I live. (Off of Jutland, and at 2645 Commercial Court.) Benzs, Beamers, and SUVs were parked around the circumference of the tight col de' sac. As my mother and I ambled up the hilly driveway and approached the flat, glass paneled building's doors, we saw people spilling out and onto the cement walkway.

Inside the white-walled gallery, a uniformed catering staff, dressed in a grayish-blue, long-sleeved button up, walked around, balancing trays of silver platters on their palms. "Would you care for a sweet pork bun, dumpling, or other tasty, Asian tidbit?" they would casually inquire. Meanwhile, a jovial bartender served wine and beer in a western facing corner. (Have I mentioned that this was all "free," yet?)

Hanging throughout the parallel exhibition spaces, as well as in the small, five rooms found in the back and middle of the gallery, were mixed media paintings, of wood, paper, steel, and even book bindings, by local artists Dionne Haroutunian, Viviana Lombrozo, and Wade Harb. Sculptural pieces, handcrafted by San Diego designer Joey Vaiasuso, included a Balsam wood chair with soft, curving edges and angles, while voluptuous ceramic pieces, by Blaine Shirk, were also on display.

I was present last night because I grew up next door to the painter Wade Harb. Although he and his siblings were a good ten-plus-years my senior, I harbor countless memories of holiday meals spent together, of the scent of fresh baked pita bread permeating his house, and of his parent's delicious, home baked pies (which they still serve at their restaurant, The Allen's Alley Cafe, in Vista). Since 1981, his and my parents have been friends and neighbors on Ridge Road.

Last night, I meandered around Art Expressions, while nibbling on some light fare, getting hit on by a 60-year old, silver bearded man, and expressing my philosophic tendencies to Joey, the sculptor. However, this morning, I walked around Fiesta Island in a blissful state of reverie because, more than anything, I reconnected with not just Wade, but his wife Ellie, his sister Nina, her daughter Cameron, and his brother Charlie, who was present along with his wife Maha and their daughters Sabrina and Douna.

I had not seen Charlie in years. Recently, he had been diagnosed with fourth stage cancer. The prognosis was dim for this middle-aged man with a young family. Over the course of the past year, Charlie has walked through the harrowing hell of chemotherapy, cancer, and chronic pain. Today, he is in remission and looking great!

Last night, his cheeks were ruddy and filled in. He shared with me that his sister has him sticking to a daily regimen of Bikram's Yoga and a vegan diet. His daughters were sweet and quietly affectionate, while his wife was verbose and friendly. Spring had truly sprung for this family, - a life renewed. Seeing him, hugging him, feeling the weight, bones, and mass of his humanity, was reaffirming. Last night, I felt giddy with a lightness of being. I wanted to just look out at him, smile, and beam. I wanted to... reflect.

To be quite blunt, I am not interested in the primacy of objects.
I want to know about the spontaneity of improvisation and about the existentialism of process. I want to know the breath, - your breath. How it began, where it started, and where it is headed to?

Like the crap in my chest, "art" and, thus, art viewing can be so rigidly stuck in a place of surreal fantasy. Trapped within mythic falsehoods that
one breath/
one artwork/
one life has more intrinsic worth than another. (Need an example? Compare the lives of "Mona Lisa" to that of an Ugandan adult woman today).

No, life isn't stagnant, it doesn't remain unchanged.
Life withers with time.
So, too then, must the art that we celebrate and use to record the process of this existence, this great mystery.
For me, Charlie was the art last night.
And he was the only piece that was allowed to walk out of that gallery and back into the everyday chaos of being.

Monday, April 28, 2008

The Birth of a Business


Five years it has been, since I first knew that I wanted to sustain a livelihood via a home business.
Five years it has taken, to brainstorm an idea, and to develop a concept.
Five years, and the birth of a business is finally here.
In the grand scheme of things, it isn't that big of a deal. Just a rinky dink ol' children's educational entertainment company.
In the grand scheme of things, I am yet another person trying to make another dollar. However, I am not peddling cheap crap, only quality, educational entertainment.
In the grand scheme of things, it is simply one more day leading to the next.
One more revolution of the earth on its axis.
One more trip around that great circle in the sky.
Nonetheless, 'All Things Round' is up and running.
"Houston, we have a lift off."
Though the website is nowhere near the professional, Dreamweaver image that I conjure up in my fantasies, it is visible and present on this here internet highway. Take a peek, if you're interested, and send me a shout from the contact page.

www.allthingsround.com


When I was in elementary school, I wanted to be an astronaut. In middle school, I had evolved the title into something like this: "When I grow up I want to be a Doctor of Aeronautics."
Now, as 31-year old woman, I have traveled the globe, - albeit within the earth's atmosphere. I have taught space science to young people at Astrocamp. And I have spent soul filling nights under star studded skies becoming intimately aware of the northern hemisphere sky.
Now, as a grown up, I create my own vision of space travel, - of not having to spend upwards of forty hours a week away from my little love nest. Of blending my passions for education, art, and the outdoors into a sustainable livelihood. Of using my creativity and intelligence to earn an honest and fair wage.

Saturday, April 12, 2008

The Happy Hooker (Home, The Series, part V)

I had anticipated spending my high school years chasing varsity letters. As a natural athlete, I sought to continue my forays into the world of love and tennis. Rather, I auditioned for a performing arts marching group simply because this was what my best friend, at the time, wanted to do. I managed to make the team while she, however, did not and, by the end of our freshman year, she was pregnant.
Instead of chasing balls and running laps around the large suburban school, I spent my high school career as a member of the pageantry corps, - an odd mix of a drill team and a dance club. I was taught how to count hash marks on a football field, and how to keep time with the band. I mastered the art of gracefully tossing and catching flags, sabers, and rifles, into the air. I displayed my developing body daily, - in the quad and on the blacktop, during class and after school practices. And I deepened my experience with the ugly spitefulness of competition.
By the end of my fourth and final year, my flair for the dramatic had been sealed. During our last spring season, we flaunted our post-pubescent bodies in full-body, black spandex outfits, that had bell bottom cuffs made of black lace. Around our necks, and dangling from our ears, were strings of fake pearls. Our cunning and expertise on the basketball court had faltered over the years. Our three-song tribute to Pat Benatar played out like a heart-pounding wail interrupted by the consistent clanking of rifles hitting a wooden floor. Had our technical skills produced less drops and fumbles, we might have been able to salvage a diminishing reputation.
Becoming more and more frustrated, and eager to get out, of high school, the small town I had grown up within, and my parent's home, I continually spoke up about our lack of awards and accolades. I blamed our coach, a non-descript man who had spent the past three years creating the concepts and designs of our program.
On one particular Saturday, we performed at two separate venues. One was an early morning show located at a school two and a half hours north. The other was a late afternoon performance in southern San Diego, where we were allowed some down time for rest. During the reprieve, my two closest friends and myself headed over to a play structure on the school grounds where we met and flirted with a group of local boys.
Later that evening, as we took to the court of the gymnasium, Pat's voice began to belt out,
"We Belong
We Belong to the light
We Belong to the thunder
We Belong to the sound of the words
We've both fallen under
Whatever we deny or embrace
For worse or for better
We Belong, We Belong
We Belong together"
and as I was jazz-running to the back line of the court, with a white rifle in my hand, I heard a popping sound. Immediately, I felt a singular, fake pearl gliding effortlessly down my neck. I looked up and into the rafters of the back audience where I found the rapt attention of the young boys whom my friends and I had just become acquainted with an hour before. Noting their riveted glances, I threw my outstretched arm up to my neck and I yanked the cheap necklace off of my body. I flung the broken line of opaque circles. They tumbled out of my hand, and onto the floor with a delicate clatter. They went scrambling underneath those same rafters, and I careened down to the black line, replacing a rifle for a flag. In a mere matter of seconds, I had switched equipment and I was back on the floor, sashaying my way back into another moment.

Wednesday, March 26, 2008

Home: The Series, Part I



The other day, a fifteen-year old friend and myself went for a stroll through my local neighborhood. A suburb of the San Diego city center, Clairemont is comprised of undulating hills of coastal desert terrain. We walked amongst native flora, which is currently popping in brilliant hues of spring, - lilacs, magentas, oranges, yellows, and many shades of green, - thanks to a miraculously moist winter season. As we walked we spoke of many things, - art, school, family, life, and the future.
He is a bright boy who teeters on the precipice of two worlds, - his earthy mother teaches Kundalini yoga and feels most at home while wearing a turban. His patriotic father is an ex-Navy Seal who works for the government and feels most at home while waving the stars and stripes. Both of his parents encourage his multi-faceted personalities and interests. At times, he sports a blond mohawk, wears tight fitting jeans, and walks with that teen swagger that only the young and inexperienced know how to do. He is an accomplished beatboxer, martial artist, wrestler, and magician. He cares about his family, and the planet. He has mentioned in the past that he wanted to pursue music as a career but, on this day, he spoke of entering Navy Seal training once he graduates from high school. "I want to put myself through the hardest training known to mankind," he said. He espoused facts and numbers, relevant only to those who care for such propaganda. "In past conflicts, the ratio of enemy combatants killed per Navy Seal has been roughly 200 to 1." "So, you want to kill people?" I inquired.
He spoke about current world events, - of China's rise on the world stage to empire. "They are threatening military action if we do not repay the billions of dollars in debt that we owe them," he warned. He discussed Islamic militants and the religious fanaticism that fuels their ji-had. He wanted to draw a comparison between modern-day America and the ancient civilization of Sparta. "Sparta was a communally driven society in which agreement was an important, and acted upon value. Dissent in America today is slowly dissolving our social fabric."
I listened, swallowing my desire to speak up for what is just in an unjust world while allowing it to fade into a comfortable repose. I let the young, developing man be in his place of teenage turbulence. Some day, all too soon, he will have to choose, - between his father's institutionalized dogma and his mother's nurturing intuition.
It is my hope that he fords his own destiny, - that he will weave through the world with a spine of steel and with an open, vulnerable heart. For now, however, we can just walk together, enjoying the earth's bounty.

Sunday, December 16, 2007

Mama



“Traditionally, new students of Zen are cautioned against meditating too close to the open sea, since the passion of the tumultuous ocean is so overpowering that it may be too difficult to quiet one’s inner being. Better to sit in meditation next to a stream, where its gentle energies can become more peacefully assimilated. And perhaps even better is to sit in a garden of stones resembling islands surrounded by etched gravel resembling the sea, to find that still point, that unwobbling pivot from which any obstacle may be confronted from a position of unflappable strength.”
--Abd Al-Hayy Moore, Zen Rock Gardening



“Where are you from?” A question that precedes an innumerable number of lengthy replies, while its answers hint at a deeper subtlety lying just below the surface of the initial asking. When we inquire this of another, are we asking as to where a person’s body first came into being on this planet, as in the geographical location of a birth? Or, do we really want to know, where home is, - that palpable location of nostalgic memory and that blissful illusion of nativity? If “home is where the heart is” are we not technically home no matter our situation and circumstance?
I was born in a suburb of Toronto, Ontario, Canada. While residing in that northern clime, in a town named Scarborough, indelible moments were seared into my tiny child’s recollection. At the time, we, my four-member tribe and myself, lived in a three-story town home. On the bottom floor, in the basement, half of which had been allocated for the children’s playroom, sat a regulation sized Air Hockey Table (still a favorite to this day) along with all of the toys and games that three children, each four years a part, could possibly need or want. Within these safe confines, my two older siblings and I spent hours, - stuffing a poor, helpless hamster into our ‘Little People’ villages, while birds, that had found themselves trapped within our air duct, made a loud ruckus on the metal pipes as well as on our amalgamated childhood imaginations.
Our neighborhood was a closed community, within which two parks and a pool were located. The ‘big kids’ (a demographic that just barely included my eleven-year old brother) had their own park, which primarily consisted of an 8’ slide. In a large group, the big kids would commute the short distance to school, walking back and forth together while stopping along the way at the market (on the rare occasion when my sister and I accompanied them on these trips, we were always treated to sticks of Popeye gum that resembled cigarettes in their shape and were coated with a white powder that, when blown on, would usher forth a plume of what looked like smoke). Us smaller kids also had our own park, in which a sand box, a slide, swings, and other treasure troves of childhood play were kept, and on our way to and from school we were watched over with independence and care by the big kids. On one such excursion, we had all stopped at a nearby local haunt, where my sister was pushing me in a swing and the older kids were busy with their inter-gender drama. After too large of a push, I flew out of the swing and came crashing to the ground with a thud. In mere seconds, the teenagers were there to dust me off and help me up to my feet.
During the summer, the one entrance to our circular housing tract was closed to through-traffic and our own mini-Olympic games were held. There was: a bubble gum blowing contest, a Big Wheel contest, and a ‘Lil’ Hobo’ contest for the smaller children and running and bike races for the larger kids. At the conclusion of the individual pursuits, after which ribbons and trophies were awarded, a large parachute was produced and the entire community came together to watch the brightly adorned material make objects airborne. The pool, around the circumference of which was an ambling bike path, was a favored destination during the hot summer days. My siblings and my love for the water, our fearlessness around it, and our abilities to make like fish within it, were nurtured during these early years. To this day, the laughter and the trauma that this time period made room for is collectively recalled.
After four years of Canadian living, my American, and predominantly Californian, family was ready to pack up and head home. In the summer of 1981, the five of us hopped into a heavily weighted down deep purple station wagon and made that proverbial car trip west. Stopping along the way at numerous locations to sight see, to enjoy evening dips in motel pools, and to release the angst of too many people cooped up in too tight of a space, we bumped along 3,000 miles of American roadway. My sister and I would stretch out in the back where we would ask our mother for a tissue, upon which receiving we would rip it up into tiny little bits that we would stuff through the small hole in the rubber lining of the trunk door. With pleasure and glee, we would sit back and watch the small, white balls of cotton take to the air, floating on the car’s momentum and flying into the windshield of the vehicle behind us. During this time, I would also recite a commercial jingle, remembered from the days spent in front of a television screen. “Kentucky Fucky Chicken,” my tinny voice chirped out. To this, my mother would laugh uproariously.
Years later, I learned, through my older siblings, that the real reason why we fled our beloved community was because there was murmur of an indiscretion. My brother recalls talk of infidelity, between my mother and the father of a little girl, who was close to my age, and who my mother wanted to be my best friend. On a warm, autumn day, my father pulled the sagging wagon up to the gates of a seaside, sprawling condominium complex in Solana Beach, California. Life, as we had known it, changed.
We still had a community pool, idyllically located on sandy bluffs above a churning Pacific, within which we could submerge our whole bodies while temporarily forgetting the anger that was beginning to unfurl within our daily lives. However, friendship was different in this new location, as the division between the haves and the have not’s became visibly clear. At five years of age, it was not yet unacceptable that my new best friend lived in a multi-million dollar home on the hill. Unfortunately, I do not believe that either of my siblings had such luck in developing new relationships. At nine and thirteen, the hard reality of status quo and the awkwardness of not fitting within popular culture reared its ugly head. After one brief year, our parent’s had purchased a two story home in a town twenty minutes north. Life in Vista and Oceanside, for we lived right on the border of the sister cities, came to resemble more of what we had experienced while living in Scarborough.
It was in Vista where I grew through the joy of adolescence and the pain of being a teenager. During the twelve-year time span, I moved from an elementary school playground, to the hallways of one middle school, and into the lockers of the only high school I attended. Along the way, my parent’s home phone number became an effigy scrawled in black pen on bathroom stalls and haphazardly written in dozens of handmade “Sign In” books as well as in cheap phone books.
In the early to mid-eighties, our household developed a tight-knit bond with our neighbors on both sides of the fence as well as across the street. Representing a diversity of world cultures, we would come together every holiday season to break bread and toast to another new year. My family represented a blend of east coast (as my mother is from New Jersey) and west coast values along with the traditional sentiments of pre-World War I babies (my father was born in 1933, and my mother was born three months before Pearl Harbor was bombed). Our neighbors to the south were an elderly, white couple who had not produced any offspring. On the other side of us, were our Palestinian-American neighbors whose four children were in their late teens. My sister and I especially enjoyed the scent of home baked pita bread that permeated their household. Across the street was a Mexican-Italian-American family whose two children, a boy and a girl, were closer to mine and my sibling’s ages. For a number of years, we all enjoyed affable times spent in one another’s company.
Over the course of ten years, before both of my siblings flew the nest for a home located eight hundred miles north, our most favored past time was the beach. My brother was a prolific boogey boarder who would take to the waves for hours on end, paddling out past the break, where my mother, my sister, and I would all loose sight of him. My sister and I were just as adventurous in our own way, for the ocean came to be a nurturing force that would gently rock us within the ebb and flow of each tidal rhythm. Even when the ocean seemingly rollicked in thunderous passion, we knew quite well the art of duck diving under gigantic waves of white wash, grabbing a hand full of sand along the way.
On one overcast day when, instead of our mother taking us to the beach our father had, my sister and I were rough housing with one another just a few yards off of the shoreline. The sky was vacillating between a stormy gray and a more typical marine layer, when we noticed a lifeguard running up and down the beach, motioning for the swimmers to come in and out of the water. We glanced around ourselves, noting that there was not a sign of either thunder or lightning in the air. In defiance, we resumed our child’s play with delight. Soon, my sister was following suit, making a difficult to attempt beeline for the shore. Once safely upon it she turned and motioned for me to follow. “I don’t have to, if I don’t want to,” I retorted, as my head rolled around its socket. Annoyed, she pointed in a direction just beyond where I was swimming. With bated breath, I turned and saw, less than five feet away from where I was standing, a fin swimming around in circles. With a fire lit under my ass, I ran in water as fast as I ever have on that day.
In the end, the shark was dying and was just attempting to beach itself. Once all of the bathers had been accounted for, the lifeguard dove in and pulled the creature from the water. It was hoisted on to the back of a jeep and, before it was dead and the jeep driven off, I walked up and stroked the slimy skin of the dying animal. I remember being saddened by its loss yet invigorated by the small amount of time that I had spent within its company.
Under the warm rays of a yearlong southern Californian sun, the ocean was a dear playmate. Wielding a peculiarly dramatic ability to be simultaneously gentle and rough, hard and yielding, I looked forward to any and all time spent within its great belly. However, at night, I would toss and turn in fitful sleep as the ocean plagued my anxious subconscious life. A re-occurring dream that I frequently found myself trapped within was of an epic battle in which I would attempt to pull myself up a steep beach and out of the voracious claws of a hungry ocean. It would require all of my resolve and my strength to finally, after what seemingly felt like hours of struggle, beat the beast, and to land, fully collapsed and desperate for air, onto a safe harbor. In my dreams, the ocean was a controlling and domineering force, near to devouring me whole. I wanted nothing more than to escape its tight grip. I fought with all that I had, and though I always succeeded, I was left nearly spent and in complete disarray.
Like my siblings, I too flew the nest just as soon as I possibly could. In my case, like my sister’s, attending a four-year college and living in a dormitory my freshman year was the opportunity needed to escape the cycle of abuse that had wound its way around our parent’s home. As I grew into my early adulthood, I spent less and less time at the beach and in the ocean. In my mind-twenties, when my travels had taken me around the world and back, I had discovered serenity and a peace of mind within a jagged landscape of up-thrusting rock. My heart had come to reside in mountains.
Seemingly closer to the sky overhead, my eyes feasted on constellations and sweeping vistas while I channeled a little girl who would run from her parent’s house at night, to lay on sun-warmed sidewalks, and to greedily soak in a reflection of light from up above. It was an early form of meditation, for the heaviness of gravity seemingly dropped away, and I was transported to a quiet, and calm repose. I wanted nothing more than to stay in this place, forever. I wanted nothing more than to never have to return to the hurt and pain of the dualistic forces of life, pushing and pulling me in opposing directions, while ripping my heart in two and sewing it back together, time after time again.
Five years ago, I returned to San Diego living. My parents still reside in that same house, on Ridge Road, and though I make an effort not to visit, I am consistently wearied by the sadness that drips from that house’s windowpanes. However, I have recently come to consciously understand that I can either continue to choose to carry the heavy baggage of others or I can simply put it down. I have been attempting to let it all go, - to sit the duffle bag and the rolling backpack down, and to lay the suitcase and the trunk to rest.
Now, as I amble along a Pacific shoreline, I take refuge in the beach’s daily evolutions. During low tide, I walk along and discover fully intact shells that have pieces of seaweed rooted to them. I marvel in the beds of kelp that look like tide pools. And I relish the sound of seaweed popping underfoot. At high tide, I walk under the wooden beams of Crystal Pier and I reminisce about the difference in water level. I note the soft sand that provides very little to no traction. And I listen to the waves as they reverberate off of the cement-encrusted pillars. These days, I gaze upon the mighty waters and a desire to intimately know the ocean’s push and pull once again grips my being.

Tuesday, December 11, 2007

Pushing the Envelope

Contact Dance Class
Friday, December 21st, 7:30pm
Behind Claire de Lune’s Coffee Shop, corner of University Ave. and Kansas St. in North Park, San Diego, CA.
$10.00 for the hour and a half class,
and for admission to the Barefoot Boogie that follows (and goes until midnight).

Come join us for an evening of Contact Dance. What is Contact Dance, you ask?
It is a modern dance form that evolved in the mid-twentieth century and that involves two, or more, people maintaining a point of contact, while giving and taking weight. Some describe it as a “moving massage.” I believe that it pushes the envelope, - that it challenges an individual to move beyond preconceived notions and into the realm of “letting go.”
No matter what your skill level, this class is for everyone. During the hour and a half, it will not matter if you are a novice beginner or a seasoned dancer. We will all come together in the spirit of trying something new.
With humor and candor, we will explore simple techniques that will get us moving, first individually. At a comfortable pace, we will move towards contact with another, or others. You will not be asked to perform more than you are capable of, or wish to.
cara is a movement practitioner who, with great encouragement and positive energy, will attempt to coax you out of your shell. She promises that, if anything at all, you will have fun. Now, what more could you ask for? Come on down, and try it for yourself. You will not be disappointed.

Wednesday, November 7, 2007

An Anatomy of Shorts


Navy blue and nylon, they are sewn together along the inner recesses of invisible thighs. At the apex, at the center of the crotch, fine threading has twice before been sewn. Begging yet another go at it with a needle, a dime-sized hole slowly pulls the fabric apart. The tenuous opening casually flirts as fingers gingerly probe the six-year old piece of clothing. Young hands gracefully glide over fading material while a mind conjures up images of past travels and nostalgic tribulations.
A bottom hem falls just above vertically challenged knees. An elastic waistband is stretched beyond recognition, retaining the contour of a voluptuous shape once worn like a scarlet letter. These days a plastic, blue button, with the emblem of two women sitting back to back, and a Velcro fly, struggle to keep the shorts up. A white and black label at the back reads “XL.” Random stains, a yellow dot on the rear, left thigh, pay tribute to the life of a struggling artist. Stitching is coming loose along numerous lines. On the right butt cheek, the cloth was once torn and then stitched back together using royal blue thread. What remains is an L-shape, which is also pulling apart at the seams.
Washed into the layers of silky fabric, the sweat of a time now past. Ground into the highly resistant textile, the dirt and soil from spills taken and adventures pursued. Today, even after having purchased the infamous pair of shorts from a department store in a suburban neighborhood of Lake Geneva, six summers ago, I don the gym-like garb and I wear it with a mix of pride and melancholy.
A bumbling twenty-four year old, I worked as a camp counselor for an American company based out of Switzerland. The first six weeks of my sojourn had been spent on an amazing landscape. Living in a tent and sleeping on a cot, I was privy to the southern, rolling hills of France’s wine region. I spent weeks underneath a canopy of limestone caves while learning how to perfect the j-stroke as I attempted to guide Canadian canoes down the river Ardèche.
Meals were spent out of doors. Media and mirrors were few and far between. On nights off, I would drink red wine by the glass full, oft times alone and sitting beside an ambling river. From the get-go, I did not know how to canoe even though it was my job to lead children on such an excursion. My peers, like-minded college aged folk with a penchant for both travel and experiential education, all but rejected me. I was certainly tolerated, just not accepted. The feeling made for an uncomfortable first few weeks yet somehow, as painful as this was to my ego, I was galvanized and invigorated. While the others were entranced by videos and television during their meager time off, I was out of doors, teaching myself to juggle, picking up the guitar again, or riding a bike up undulating, narrow roads and over to the singular nudist colony on the river’s banks.
I found solace in strolling along country roads and over to neighboring village castle ruins. Once, while returning home from such a journey, night had fallen and a strange grunting sound began emanating from the dense bush to my right. Initially humored by what I mistakenly thought were humans, I employed a singing voice after my laughter had dissipated and fear was quick to replace it. Pleading with whatever large creature was foraging nearby, I sang that I was just a harmless human out for an evening stroll. The tune soothed my panic and I high-tailed it over to a play structure where I found refuge up off of the ground. With my composure regained, I quickly walked back the few remaining steps to camp.
Weeks later, while in the office of a photographer who captured our descents down a specific rapid along our canoeing route, I gazed at framed photographs that lined a wall. In a few of them, large, waist high, feral pigs were fording the river. Finally, I had discovered the source of my earlier cause for concern.
As summer approached the riverbed began to recede, and along with it the judgment of my peers was also giving way. I had proven myself. While the majority of the male staff would help beach the canoes and carry all of the gear up the hill, only then to prepare their own campsite for the night and rest for a period of time, I along with a few other women, continued to prepare the campsite and meals, and then play with and keep the children occupied until night had fallen, stars were overhead, and we all fell into an exhaustive heap on our sleeping bags. Not to mention, my paddling skills had improved 100%. I was, at last, accepted.
With my acceptance, came less alone time. I joined the crowd, in drinking red wine by the river, in rock diving, and in skinny-dipping. One day, I even borrowed the camp cook’s moped and attempted to ride it over to Vallon-Pont d’ Arc, the nearest commercial village. Desiring to show off after first sitting upon the vehicle, I accidentally rode into a wooden beam adjacent to the camp’s recreation room. I then cruised the two-wheeler over to town. On my way back, I somehow, again, pressed on the accelerator, instead of the brake, causing the bike to rear up, and my rear end to fall off of the seat. Humorously, I tore a hole in the back of the orange pair of name brand board shorts that I had recently purchased. With borrowed thread, I had to sew up the mistake prior to the next week’s canoe trip.
At the spring season’s conclusion, I spent the following week traversing the Heidi-like mountainsides of Andorra, a principality that lies between France and Spain. Supple, rolling hills; rushing white water streams; wildflowers of every shape and hue; wild horses grazing in verdant meadows; slanting, scree slopes; towering granite peaks, - the Pyrenees has it all. Like a Billy goat, I leaped and jumped from one stone hut to another. (A series of 25 huts, or stone refugis as they are called, dot the Andorran countryside. These shelters are free of charge and well tended to.) For days on end, I swam in chilly, fresh water streams and I sunbathed on snow-patched mountaintops, attempting to make snow angels in the evaporating, white matter.
Again traveling alone, I was greeted by numerous other trekkers including hunters, hikers, and even a few rogue revelers. I had arrived into Andorra late on an inauspicious evening, not knowing a soul, and bedded down behind a sandy rock formation in the back of what appeared to be an empty ski chalet. My trip had included the stashing away of cumbersome clothes, on the hillside and in a hut, and the escapade of making friends with four Belgian men who had backpacked in cans of red bull and a bottle of vodka, marijuana in numerous forms, and mushrooms and ecstasy. During my last night there, I had a gentle make-out session with a Catalonian boy who could not have been more than twenty. I awoke only a few short hours later to ask him the time (which was a difficult task, for he spoke little English and I did not speak Catalan whatsoever). After realizing that it was 5:30am, I jumped up with anxiety. I had a mere hour and a half to run down the mountain and make the bus that would carry me back to France and, eventually, on to Switzerland.
With only minutes to spare, I bounded down and onto the main thoroughfare just a few short blocks away from the bus stop. After boarding, I fell into a seat with relief and quickly dozed off. Seemingly only minutes later, I was awoken with a start. A French policeman was shaking me awake, inquiring as to whether or not he could check my purse, which I had haphazardly tossed into the seat to my right. Immediately, I knew that an action from the night before, of moving a small metal pipe and a remaining tiny nugget of hash that I had on my person, stashed in a front pocket of a Mt. Hardware fleece jacket, and into the dainty bag I wore around my shoulders, was a mistake. “Pipa,” the man cried out. “Le pipa,” he alerted his co-workers. I sank down further into my seat, as they ransacked my bag. I was escorted off of the bus, while the driver patiently turned the engine off, and into the back of a marked police van. A minor strip search was conducted. (I had to take my shoes and socks off, and they searched my larger backpack for more paraphernalia or illegal substances.)
With my passport noted, a fine paid (50 French francs, I believe it was), the pipe and hashish confiscated and, essentially, a slap of the hand, I was loaded back onto the bus to continue along my journey. I refused (and, still to this day, refuse) to be ashamed of my enjoyment for smoking marijuana. However, I was a little embarrassed for slowing down the other passengers’ and the bus driver’s morning commutes. Nonetheless, I had a new job, and another foreign destination, to get to. Thus, again, I and we were off.
The excursion was marked with continued mishaps and stories in the making but I eventually arrived to the Auberge, a small hotel, bar, and restaurant that would serve as “home” for the next month and a half, located in a suburban village town just due east of Lake Geneva (or Geneve, as the locals call it. Also, the lake there is, actually, called Lac Leman.) The newest set of employees, fresh off the boat from their teaching stints and other day jobs in primarily the States and Canada, were already gathered and mingling. They were excited by the journey that they were embarking upon. Meanwhile, I was physically exhausted from being smack dab in the middle of my own exploits. I retreated early, to the comforts of my own bed in a room that I shared with three others, to write and contemplate. This behavior remained consistent throughout our short time together.
The day-to-day of summer camp life quickly came to emulate a pattern that I had only been too eager to escape. Monday through Friday, at 8:30am, we were to be outside and ready to hop on a short bus for the quick ride to the Chataigneriaz (the school grounds where our summer camp was held). Usually, I skipped the bus ride and walked up the hill along fields of sunflowers and lines of grapevines. Over Monday morning breakfast, which was comprised of cereal, yogurt, or bread with jam and Nutella, talk usually centered around the weekend just had, - a quick trip to Italy; our group celebration of the Swiss independence day; or the time spent partying down in the streets of Geneve. By Wednesday, conversation had already lapsed into what the up and coming time off had in store. The monotony quickly wearied my being, and I was acutely and sensitively aware that my life had segued from living in close commune with the land to a life further removed from it.
I began to question myself and whether or not what I was doing was of meaning. As the sole gymnastics coach, I ran the ‘Gymnasie de Cara’ with a solid hand. Managing all of the hundred plus children as they moved around the apparatus, from the floor, to the beams, to the mini-tramp, I was simultaneously coaching my peers on how to spot while trying to learn a few French verbs. The depth of the experience was cemented when, one night, while languishing around the Auberge, I decided to take a bicycle that a co-worker had found (deposited along the side of the road, it had been headed for a landfill), for a dusk lit ride. I rode east along the curvaceous, lake road and towards the nearest large town, Nyon.
In Nyon, ancient Roman columns are crumbling on an overlooking hill. At night, these relics of a civilization past are lit like beacons, brightly displaying the opulence of western thought. I rode around, enchanted by the sights my eyes were consuming while my thoughts danced merrily in stony daydreams. I headed towards the commercial district, where cars were forbidden, and I continued to steer in the direction of a sign that read “Do Not Enter” for I was a bicyclist and a privileged American who had the right of way (no matter what). A woman’s deep gasp alerted me to my folly.
I went flying, head first, over my handlebars, while my womanly thighs slammed into the gearshifts. I had attempted to ride between two cement pillars, across which an eight-foot long, black chain link was suspended. My training, from a lifetime spent in gymnastics, dance and other movement classes, kicked in and I instinctively tucked my chin to my chest. I performed a dive roll, jumping up at the tail end of it with my hands in the air. “Ces’t bon,” I exclaimed. “C’est bon,” (“I am good”) I tried to assure the on-lookers whose jaws were agape as they stood staring at the stunt. I picked up the bicycle, hopped back on it, and rode back home while the adrenaline pumped its way through my body, and my heart beat out a loud, rhythmic “holy fuck.”
The following day, while recounting the tale with my comrades, I had deep, purple bruises in the middle of each thigh. Corporeal reminders that what I was actively teaching to the kids, day in and day out, was a skill that could one day save their very real human lives, - just as it had mine on that very memorable occasion.
In the time that has since passed, the navy blue, nylon shorts have continued to play an integral role in my life. As a graduate student, they accompanied me to my first residency at Goddard College, in Plainfield, Vermont. While rubbing elbows with artists of every craft and medium, I fled from the typically scheduled cabaret, an evening of live music, dance, and theatre, performed in a refurbished hundred plus year old barn, for a quick respite. Under a warm August sky, I climbed the metal roof of a greenhouse. While careening back down, the shorts caught on a metal bracket, thereby ripping and puncturing my behind. With my ass partially visible, I wandered back into the event and proceeded to get my groove on as our local hip-hop artist and beat boxer spun the records (or, er, pressed buttons on his computer’s keypad).
Weeks later, after having returned home to San Diego, I was again out in public in these same shorts. Still torn, and still refusing to wear underwear underneath, I gallivanted on a Pacific beach with a dear playmate who was quickly becoming more than just a friend. We tossed a Frisbee disc to and fro, I in the torn shorts while also wearing a tank top, without a bra, that read, “Put the Fun Between Your Legs” (it had an image of a bicycle drawn in between the wording). Meanwhile, he had taken off his jeans and was running around catching the disc and flinging it back at me in nothing more than boxer shorts (which, he initially realized, he had forgotten to button). Indeed, we were a sight for sore eyes.
When we tired, we began to play in the sand, - creating sculptures out of found materials and objects. Bent at the waist, I was not afraid to raise my head and offer a “Hello” to the lifeguards as they drove by in their jeep. We capped our lovely afternoon off together by enjoying a meal of sushi at a local restaurant. Still parading in the fading shorts, I moved around with a little bit more apprehension as I ambled in and out of a black, leather booth.
That was two years ago. Today, the shorts hang from a 31 year-old waist. They hardly stay up, yet I cannot bring myself to part with them. My partner, the same man from the story above whom I now live with, scoffs whenever he sees me in them. Still, as old and failing as they are, they represent more than just an item used to cover up shameful body parts. The thinning remnant is a hint at a body embodied, - it is a historical artifact of lived experience. Stories are woven into the very makeup of the precious fabric. Parting with them would be like turning the last page on the chapter of my twenties and I guess, well, I guess that I am not quite ready to do that yet.